It not only represents and interprets facts and observations, but it also has an impact on people's views and actions because it is an integral aspect of society's cultural conditions. Language becomes the vulnerable person's first offensive weapon, one that will spark a debate, show shortcomings, and compel others to take sides. It is a fundamental medium for engagement and communication. Hindustan Institute of Technology and ScienceĪuthenticity, defense, language, linguistics, society Abstract
Maht, Mohan Lal in his article, Meena Kandasamy's Touch An Articulation of the Voice of the Marginalized watched Casteism is an old social insidious which is utilized to enslave the lower layer of the hierarchal social structure of Indian society.Kalasalingam Academy of Research and Education Her two assortments of poetry Touch (2006) and Ms Militancy (2010) depict the genuine picture of the underestimated in Indian society, as it were, the centre of her work around neediness, persecution, bad form, caste obliteration, phonetic character and aches and difficulties of ladies. She voices her displeasure against caste-based shamefulness which has impeded the underestimated to the dehumanized condition as they are exposed to mistreatment and mortification.
As a contemporary Indian woman author Kandasamy is anguished to observe the deep-rooted social practices like unapproachability dependent on caste framework existing in Indian society. Kandasamy is a poet, interpreter and dynamic extremist from Chennai. It talks about the issues of caste, gender, sex, and social segregations of the underestimated Indian ladies. Her first assortment of poetry, Touch (2006) is a blistering, activist assault on the propagation of the social mistreatment of the Indian ladies. Meena Kandasamy is a developing twentieth-century Dalit poet, fiction author, interpreter, columnist, and social dissident.
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